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Welcome


"La Ceiba y la Palma Real" is an orchestra of Cuban music type CHARANGA musicians from August to December.

This training plays a Cuban music AUTHENTIC
and perpetuates the tradition of the great Cuban bands such as:
LA ORQUESTA ARAGON, ORQUESTA SUBLIME THE
,
THE RITMO ORIENTAL;
ARCANO Y SUS MARAVILLAS

... One of the strengths of this orchestra is to play so entirely acoustic, WITHOUT SOUND whatsoever, as is still done in Cuba.


The Charangas of Cuba sometimes referred to as "Orquesta Tipica" once did in the
Academies dance in the salons of high society.

Their music is both PRECIOUS, SUAVE, and dance and has a unique color due to the timbre of instruments: violins, flute, piano, bass and percussion instruments specific.

The style of music played by charangas best known internationally is the CHA-CHA-CHA. They also play
danzon, near the TANGO, which may be sung or instrumental, and faster rates as the Pachanga and Charanga.

Linda Goodman Horoscope Free 2010

(Photo Credit: María Eugenia Haya "Marucha)

La Charanga LA CEIBA Y LA PALMA REAL offers along with an introduction to his concert dance by JULIO PÉREZ MOLINA, musician and dancer
Folkloric Ballet of Camagüey. This
professional dancer will introduce you to dance Cuban (Danzon, Cha-cha-chá, Son) at the same time that the orchestra will play.


Almost all Cuban music is dance. Julio knows and teaches all dances Cuban (Afro-Cuban Son, Salsa, Cha-Cha-Cha, Conga, Rumba, Bolero, etc ...). For more information on e it you can access its site
CLICKING HERE

(Photos Christine Charikian)

What Does A Linguist Earn

Dance Orchestra and Entertainment Video Excerpts: répétitons

Mi socio Manolo (Charanga-Songo):



VERY CLOSE TO HEART (Bolero-cha):



YOUR NOT LIKE ME (Guajira-cha):



EL PASO DE ENCARNACION ( Charanga):



EL Bodeguero (Cha-cha-cha):

Confirmation Letter Template Catholic

Musicians


PATRICE Banchereau:
Singer and percussionist, director of the orchestra.
He spends all his time to the study of Cuban music for over fifteen years.
Holder High State Traditional Music, Caribbean cultural area.
Professor of Cuban music in the CNR of Toulon-Provence-Mediterranean since 2004.


JULIO PÉREZ MOLINA:
Cuban musician, member for twelve years of the Folkloric Ballet of Camagüey.
Singer, dancer and percussionist.


PANTIN FRANCK:
Pianist, professor at the CNR de Toulon-Provence-Méditerranée.


CHARLINE DUHAMEL:
Professor of violin at the Conservatory of Toulon-Provence-Méditerranée.


MURIEL KEMSISIAN:
Professor of violin at the Conservatory of Toulon-Provence-Méditerranée.


Laurine MARTINEZ:
3rd cycle students in violin at the CNR de Toulon-Provence-Méditerranée.


STÉPHANE MAILLART: Drummer and
timbalero. Student
CNR at Toulon-Provence-Mediterranean in the 3rd degree in Jazz and 2nd cycle in Cuban music.


GATTEGNO RAPHAEL:
Flutist. 2nd cycle students in flute at the CNR de Toulon-Provence-Méditerranée.


JEAN-MARC PRON:
Student in 2nd round at the CNR de Toulon-Provence-Mediterranean Jazz, Cuban music and classical bass.

Lisa Mitchell Sheet Music

Top Ten albums of Charanga: Cuba

This "best of" has been realized - and those that follow - on a base of about 150 albums charangas Cuban or American who was attentively listened to and peeled from a few years now.

Orquesta Aragon: The Cubanísima

It is difficult to choose an album among the many recordings of the most famous charanga Cuba. Visit our article on Aragon, you will find that we have counted over 150 album covers of this orchestra.
The album "Cubanísima" is a compilation of the many existing in what Cristóbal Díaz Ayala-called "sonic arsenal" of Orquesta Aragón. The cover above is one of many existing pockets of that compilation.
Advantage Certain de ce cd: 17 morceaux il behave.

1 ° 2 ° Bodeguero
*** Very Close to the Heart ***
them taste 3 ° 4 °
*** Look, Don José
5 ° My Son is a Vacilón
6 ° to dance the same Give me Baila Carola
7 ° 8 ° Guajira
Tumbao '
*** *** 9 ° Caserita Villarena Hope

10 ° 11 ° The Jamaican ***
12 ° A ***
Real Ice 13 ° *** Cachita
14 ° Do not give me 15 ° Learn
Story, Boy ***
Talks Momento 16 ° 17 ° Stop Coachman


*** Il behave comme ce que nous considérons ten "hits" (each marked by three stars). El Bodeguero version is not the most widely distributed, not the best known, but a sort of "second version" of what is broadcast may be the most emblematic piece of Aragon (perhaps the most famous all cha-cha-cha ever written). This version appears in a few other albums of the orchestra.
This CD does not have much songs-"child" as recorded in the Aragón much, except "the Jamaican."

Orquesta América del 55: Charanga ¡!

La Orquesta América was the number one charanga in Cuba at the beginning of the era of cha-cha-cha before the Aragón not to supplant it. On disk are included both the Orquesta Estrellas Cubanas and America.
The re-release of this compilation from 1961 is the second time in America, after the quarrel and separation from Enrique and Ninon Mondejar Jorrín, and after he had renamed the group "América del 55". As for
Estrellas Cubanas, this is the charanga of José Fajardo and renamed by the violinist Felix Reina after leaving fajardo USA.
Most pieces had already séparément été à enregistrer since 1957 in 78 tours, 33 tours l'apparition du ou "Long Play" à Cuba in 1950 détrôner n'ayant pas permis de tout de suite l'ancien format.
the American Le répertoire à l'époque était constitué the plupart du temps de chansons humoristiques.

1 ° 2 °
Galletano *** Wake, Old
3 ° *** ***
Beer Matancera are 4 ° 5 ° ***
rings Bachanga ***
6 ° Ven, Cosa Buena ***
7 ° to tell me Feo
8 ° Cha-cha-cha of Police
9 ° Look at it, what comes Linda
10 ° I love Cha-cha-cha 11 °
Aquí Hay Hombre Gozando a
*** Que Linda Es 12 ° Caracas ***



The family of Cuban musicians Rubalcaba has two celebrities, both pianists Gonzalo, world star jazz, and Guillermo, appearing as pianist second team behind Buena Vista Social Club, Rubén González.
In fact, the musical history of the family dates back to Jacobo Rubalcaba Rubalcaba Gonzalez, the great-grandfather, born in 1895, from Sagua La Grande, trombonist, trumpeter and composer of El Cadete Constitucional danzón.
Among its most famous son: Jose Antonio Rubalcaba, Director of the Metropolitan Orchestra of Pinar del Rio, et Guillermo Rubalcaba, Director of Typical Charanga du Ministère de la Culture, puis Charanga Rubalcaba the ship is in 1962.
fils des deux autres sont également célèbre Guillermo Jesus, pianiste, et William, bass.

1 ° 2 ° Chaucha
*** *** Early Bird Catches
3 ° Now we will be happy
4 ° Liceo del Pilar
Lágrimas Negras
5 ° 6 ° Bonito y Sabroso ***
7 ° A Mi What * ** Obsession

8 ° 9 ° For a Better Cerro
10 °'m your punishment *** Puchunga

11 ° 12 ° With the Spur La Charanga Rubalcaba

continues the classic style of charangas years 1940-50.
Although many records are available for sale, it seems that this album of 1999 is exhausted.
Flutist on this disc is Jacinto Joaquín Oliveros, "jilguero El Centro Habana", which has recently recorded several CDs for the label Camajan. The guest is singer
Raúl Planas, one of the stars of the Buena Vista Social Club, who sings on six tracks.
"Liceo del Pilar" is a rather special danzón instrumental whose theme is very long, and where the "mambo", very short, only occurs very late in the piece. Some versions of this do not danzón mambo.

Jose Fajardo:
danzones Completos Para Bailar Instrumental vol.2

Jose Fajardo is here at the top of his art, in a recording of the classic danzones.
This musical genius that has unfortunately not produced good records, some of his American experiences that led him to record at least sloppy.
All songs on this disc are outstanding.

1 Una Rosa de Francia
2 ° 3 ° penicillin
Cangrejito
El Ferrocarril Central
4 ° 5 ° Amalia Batista
6 ° White Swan
7 ° A Rice Bowl Meditation

8 ° 9 ° If you ask me the Pescao '
10 ° Liceo del Pilar

Compilation: "El Danzon" EDE Edenways 1077-2

Il s'agit cette fois-ci d'une magnifique compilation of 20 morceaux les plus grands parmis danzones, joués par les meilleurs Cubains orchestras. Il ne manque ici
that Arcaño and Wonders et José Fajardo.

1, His Majesty the pair *** Danzon
Orquesta Aragon 2 ° King of Kings *** (Papa Montero) par Twentieth Century
3 ° Gladys *** Orquesta Aragon
par 4 ° Popurrit Danzones pair of the Orchestra. Antonio Maria Romeu
(chant: Barbarito Diez)
5 ° Mambo Orquesta Aragon *** couple
6 ° Simpson Heights couple Cuban Folkloric Orchestra
7 ° Almendra Orquesta Aragon *** couple
8 ° The Wizard of Keys par Twentieth Century
9 ° My Danzon *** couple Orchestra
Neno González and Marañón 10 ° Caimitillo par Sublime Orchestra
Mirta 11 ° Memories
par La Charanga Rubalcaba par 12 ° Magic Flute Orchestra Antonio Maria Romeu
13 ° Queen Elizabeth *** couple
Orquesta Aragon 14 ° Isora Club Orchestra par *** Aragon
15 ° Sol y Sombra couple Orchestra Neno González
16 ° Tres Lindas Cubanas *** couple's Orch. Cuban Folk
Nymphs par 17 ° 40
Tunes 18 ° Truth pair
Barbarito Diez (s'agit-il of the Orchestre de Antonio Maria Romeu?)
19 ° For a better pair Cerro Tunes 40
20 ° Almond ( chantée version) par X

NB: la liste des morceaux sur le cd est annoncée décalée morceau à partir du n ° 7. Nous avons ici l'rectifiée.
"Cienfueguera Union" Orquesta Aragon par annonce sur la pochette du cd n'y figure pas.
Dans la confusion, on ne sait pas si will morceau n ° 18 (Truth) clearly interpreted by Barbarito Diez is played by Charanga Rubalcaba, as announced, or by the Orquesta de Antonio Maria Romeu (as usual with Barbarito Diez).
The piece No. 20 (sung version of Almendra) is not advertised on the cover.

Estrella de La Charanga: Sones y danzones

This orchestra of Santiago de Cuba should not be confused with Charanga Estrellas Cubanas, which we have said above that it was After the orchestra of José Fajardo.
Nonetheless, their album is one of the best released in the last decade. La version est superbe et d'Almendra novatrice, avec certains accords dissonnants savoureux particulièrement au piano. Celle du danzón "Angoa" est du même acabit.

1. La Negra Tomasa
2. I do like candles
3. Almond ***
4. The Olga Tamalitos
*** 5. The Niche ***
6. Forgot
7. She
8. The Marshmallow
9.
Fefita 10. Christmas Time Love
11. If you understand me
12. *** Stop
Coachman 13. ***
Angoa Le directeur d'categories Bathing
of Charanga est le Santiaguero José "Pepesito" Reyes, Jose Fajardo pianiste ancien, d'Arsenio Rodriguez, Beny Moré et de Pancho El Bravo. Il a travaille à New York pendant dix ans.

Écouter l'album Sones Y Danzones ICI

The Cuban Danzón - Its Ancestors and Descendents
(Folkways Records FE 04066 1982)

Cet album constitue à lui tout seul un document historique sur le Danzón. On y trouve des orchestrations "de viento", mais pas via des enregistrements de l'époque: il s'agit-là en fait de la Charanga Nacional de Concierto jouant les orchestrations de l'époque - toutes datées.
Plus précisement, les morceaux 1 à 7 (et 9) ont été enregistrés en 1954, à l'occasion du 75e anniversaire the creation of the first Danzón (las Alturas de Simpson) by Miguel Matancero Failde. The orchestra, constituted at the initiative of the Instituto de Investigaciones Folklorica Musical (IMIF) was therefore known as La Orquesta Nacional Cubana Folklorica, then as La Charanga Típica Nacional de Concierto, led by pianist-musicologist Odilio Urfé . This group was formed to play both orchestrations "de viento" (or "tipica") and orchestrations like charanga (or "French": strings, flute and piano).
The 9th and 11th tracks were recorded in 1979, during the centenary celebrations du Danzon, l'année du 100e anniversaire of the naissance de José Urfé, et du 50e anniversaire du Danzonete. Sur ces deux Derniers morceaux, les musiciens sont:
Odilio Urfé (piano et direction), Miguel Valdés (violon), Gustavo Tamayo (guiro), Ivan Hernandez (congas), Aurelio Herrera (flûte), Orestes Urfe (Contrebasse), Juan Febles (guiro), et Rafael Blanco (drums). Typical Charanga

National Concert, orchestrations "wind"
1, San Pascual Baylon (Contradanza - 1803)
2 ° The Sungambello (Dance - 1813) 3 °
Heights Simpson (Danzon - 1879)
4 ° The bowler Barreto (Danzon with Montuno - 1910)
5 ° Breaking the Routine (Danzonete - 1929, Barbarito Diez chant)

National Concert Typical Charanga, orchestrations "charanga"
6 ° Tres Lindas Cubanas (Danzon - 1926)
7 ° The ñañigo (Dance - 1921)
8 ° Tuthankamen (Dance)
9 ° The Revoltosa (Dance)
10 ° Liliana (Danzon)

Antonio Arcaño y sus Maravillas in 1976:
11 ° Angoa (Danzon, Mambo - 1948 )

Orchestra Enrique Jorrin, années 1970:
12 ° Engañadora (Cha-cha-cha - 1951)

Orquesta La Ritmo Oriental, année 1970:
13 ° ¿Que es lo que Hay? (Onda Areito)

The term "Onda Areito" is linked to the record companies of the same name, where all recorded charanga orchestras of "modern" in the 1970s (The 440, Maravillas de Florida, Original de Manzanillo, etc. ...) and whose Ritmo Oriental is an illustrious representative.

Rene Herrera: Cha-cha-cha para un Flautist

This recalls the great flutist of the past, Richard Egües or Fajardo. His latest album (2003) is in the classical style, and incorporates the classics, no - it is true - revisit beyond measure.
Member of the Havana Charanga All Stars since its inception in 2000, he worked with the orchestra Joséito Fernández Jr., Orquesta América, Orquesta Enrique Jorrín, and La Charanga Rubalcaba. The direction of his orchestra is provided by bassist Jorge Machado. Jesús Rubalcaba is on piano, Orestes Varona on congas, timbales Jesús Pérez, Humberto Legat and Ronny Cabarrocas the violins. Juan Hurtado, Gregorio Laza, José Lusson Pichi Valdés Jr. and provide the voices.
The piano solos are overflowing with exuberance a bit easy sometimes. A good album of charanga more prolific in the Envidia label.

1 Cha-cha-cha para un Piper
2 ° 3 °
Cachita *** *** La Muela
My dame
4 ° 5 ° 6 °
Mambo *** In Tin in
7 ° Without You Love and Live 8 ° I ***
Good thing
9 ° El Guajiro de Cunagua ***
Matancera are 10 ° 11 °
*** The Blue Blouse

Enrique Lazaga and La Ritmo Oriental: De Nuevo ... La Ritmo

Il s'agit d'un Recent album (2001) de La Ritmo Oriental qui, s'il n'illustre plus you style "Areito Onda" de l'Orchestre are succès qui a fait à la fin des années 1970, le Merite re-actualize the sound of the orchestra. The legendary rhythm
(Humberto Perera on bass and Daniel Diaz on its very particular set of timbales) is gone.
Director Enrique Lazaga has recruited two of his son, Enrique Lazaga Jr. on congas and timbales to Eduardo Lazaga. That said, the work of two percussionists is remarkable. The Ritmo now has a rhythmic Lazaga, with Father Enrique at güiro.
The CD contains a high number of boleros (Pensamiento, En el Tronco one Árbol La Gloria Eres Tú and the TARDIS, and a canción cubana, the famous Pablo Milanés Yolanda, always difficult to interpret with a dance band, visiblement ...

1 ° My partner Manolo
*** *** Thought
2 ° 3 ° In the Trunk (What You've Done that?)
4 ° Son de Loma ***
5 ° Popurrit # 3: *** All
I Dance and Dance
And
Nene, and not worth Yolanda

6 ° 7 ° La Gloria Eres Tu
8 ° The True Love
*** Afternoon 9 ° 10 ° download Ritmo
*** Eastern

Abelardo Barroso and Sensation: Golden Oldies

Abelardo Barroso, chanteur de Son renommé between 1926 et 1940 (on her surnommé "Caruso") made a "comeback" in 1955 with the thundering Orquesta Sensación and the song "In Guantánamo," which opens cd drive. He demonstrated his talent as a sonero, a rarity in a charanga orchestra where the singers were not always highlighted.
Disappeared in 1972, Barroso ranks among the top ten singers from Cuba, with a reputation without shade and an exemplary attitude at all times in his career, leaving him a place e in the hearts of Cubans.
This compilation pays tribute to him, constituting one of its essential cds charanguera career.

1 ° In Guantánamo
*** 2 *** Bruca Manigua
3 ° 4 ° Cangrejito
*** *** San Luisera Suavecito
5 ° 6 ° Changüí
*** *** Monte
7 ° Resabroso Cha-cha-cha ***
8 ° hesitates with your drink * **
9 ° What Life Teaches ***

Besame Mucho 10 ° 11 ° El Guajiro de Cunagua ***
12 ° La Hija de Juan Simón
13 ° Canso War I will Cachita

14 ° 15 ° Heart Cry no
16 ° Arráncame Life

17 ° We will Outre
succès "In Guantanamo, on trouve dans ce cd version du grand succès unites d'Arsenio Rodríguez" Bruca Manigua ", dont l'arrangement will reprise récemment unchanged by Orquesta Aragon and La Charanga Rubalcaba.
was added to the orchestra trumpet, clarinet, trombone,
This CD is sold as a CD of Abelardo Barroso, yet neither "El cangrejito" or "San Luis", or "con tu Vacili Trago" nor " Besame Mucho "or" Cachita "nor" Corazón, No. Lloris, "or" Arráncame la Vida "or" Nosotros "are sung by him.

Congratulating Quotes On Promotion

Top Ten albums of Charanga USA

The charanga style is well established in the U.S. since 1959 and Charanga Duboney Charlie Palmieri seems he launched the first fashion. First vocations were prompted by the success of Orquesta Aragon and Arcaño y sus Maravillas in the 1950s.
The style is still alive today, and discs charangas have recently been awarded yet. But if we find among the records of American charangas excellent records, many others are very disappointing.
Jose Fajardo was in the U.S. a few recordings of poor quality, which work in his discography, his career while Cuba was remarkable in every way.
The huge success of incournable and Cha-cha-cha and pachanga has that these terms and styles have been picked up by other types of bands, by economic necessity. We will not discuss this sub-category that has not generated much good music to our taste.
The brilliance of the brass of salsa (American style full) weighed on charangas. As Jorrín had in Cuba, conductors have often yielded to the temptation to add in the charanga clips (only happy marriage), but also trumpets or saxophones, and - very often - the very, that adds a stamp "campesino" in the set.
The string sound is often much brighter and synthetic in American records, which distorts the stamp "on Cuba." When the Danzón, it is rare to hear an American play a charanga, especially after the 1960s.
albums that follow are arranged chronologically;

1962: Johnny Pacheco, "What the Flauta vol.III Suen"

La Charanga the Dominican Johnny Pacheco lasted only four years, from 1960 to 1964 .
is the orchestra that played the upper hand at that time.
In 1958 Pacheco had participated in the Charanga Duboney Charlie Palmieri.
Co-founder of Fania to be as successful as it is known, Pacheco will not return episodically charanga style, it has been invested in many projects Salsa Fania.

1 ° That the Suen Flauta
*** 2 *** Pita Truck
3 *** El Pinazo
4 ° 5 ° Mentiras Criollos
Vuela Paloma
6 ° 7 ° Acuyuye
Rosalia
8 ° A Caballo *** *** Cachita
9 ° 10 °
Alto Songo

*** "What the Flauta Suen" is a good recovery from a piece of Orquesta Aragón. The versions of the standard 'Cachita "and" Alto Songo "are also quality. Guajira" Pinazo "signed by Pacheco foreshadows the Boogaloo.
The singers on this disc are Rudy Calzado and Elliot Romero.

1966: Orquesta Broadway Arrímate pa'cá "

Orquesta Broadway was founded in October 1963 by the Cuban flutist Eddy Zervigón, a former student of Richard Egües.
Zervigón replaced Johnny Pacheco's band in the last two months when he had just arrived in New York, then he founded his orchestra. In the first version of the Orquesta Broadway there were;
"Roberto Torres Edmundo Koppe and vocals, Hector Zeno timpani, Johnny Palomo to conga aul güiro Mike Martinez, Rudy Zervigón and Abraham Norman on violin, David Herscher to bass, Ira Herscher at et au piano three, Eddy et à la flûte.

*** 1 st over here Arrímate
2 ° Doña Olga (Wedding Grey) *** *** Julian
3 ° 4 ° My Stroller

*** *** 5 ° Mavi Mavi
6 th Year 1965 *** What a mess
7 ° 8 ° Baila Yemaya

9 ° Eh Cachumba ***
10 ° I danced with her ***
11 ° Very Close to the Heart ***
12 ° Maraca y Bongo

magnifique album qui "sonne très Cubain." Voici enfin joins américaine qui joue charanga - non pas un - mais des danzones.
Le danzón "Boda Gris est ici rebaptisé" Dona Olga. "The reprise of" Very Junto al Corazón "by Orquesta Aragon in another arrangement is very interesting.

1980: Pupi Legarreta" Para Bailar "

Felix" Pupi "Legarreta is a native Cuban musician of Cienfuegos, the home of the Orquesta Aragón.
He is a violinist, flutist, singer, arranger, pianist and guitarist, a pupil of Rafael Lay.
He arrived in the USA in Chicago, where he joined in 1959 the Nuevo Ritmo Charanga, one of the very first in this country.
Some ascribe the authorship of the term "Salsa" in 1962 for having published an album called "Nueva Salsa".

Pupi Legarreta in the album "Para Bailar" provides all the singing, flute and violin!
All songs on this disc are "tube potential" style charanguero.

1 Sabroso Como El Guarapo
*** Seis Lindas Cubanas 2 ° 3 ° Canallón
*** ***
Mulato Rumbero 4 ° 5 °
*** *** El Niche
6 Me Voy Pa Abijan ***
7 ° Deuda / Amalia Batista

Pupi Legarreta - vocals, flute and violin
Ralph Irizarry - timbales
Oscar Hernandez - piano
Sal Cuevas - bass
Eddie Montalvo - congas
Felix Farrar - Carl Ector
violin - violin
Ron Lawrence - cello
Julián Cabrera - güiro
Oscar Muñoz - timbales and congas

We find in this disc and for the first time in our best-of time using a cymbal on the timbales, a factor which prevail in difficelement charangas Cuba, but the U.S. will soon be routine.
sometimes found the title "Seis Lindas Cubanas" for the standard "Tres Lindas Cubanas" (which is actually originally a sound played by the Sexteto Habanero in the 1920s). Pupi y book some nice "cannibalize" the song.

1981: Charanga La Tapa

Despite a pocket particularly poorly successful, this album is a classic, although it will be the only one in this group unlikely. John Child, the chronicler of Descarga.com for this record, expressed his doubts about the paternity of the group vis-à-vis the last two tracks, "Pasado y Presente" and "Macorina. According to him, he could be taken from this novel that would become the Charanga 4.

Papa Montero 1 ° 2 °
Oriente *** *** Vamonos Pa'l
3 ° 4 °
*** Monte El Platanal Bartolo ***
Presente y Pasado 5 ° 6 ° ***
Macorina ***

Gilberto Colon - piano
Bobby Rodríguez - Low
Rodolfo González - flute
Felix Farrar - violin
Carl Ector - violin
Charlie Santiago - timbal
Danny Gonzalez - congas
Mike Martinez - güiro
Charlie Rodriguez - tres
Hector Alomar - vocals
Pupi Torres - vocals Hector

" Tempo "Alomar will most of his career with the Conjunto Libre.

1981: Papaito "Rinde Homenaje a Abelardo Barroso"

Mario Muñoz "Papaito" was the timbalero the Sonora Matancera, Cuba, the U.S. label SAR has signed a contract for four albums as a singer. Although
Papaito voice is not the tastiest of Cuba, this album of charanga, He is. A mysterious flute
cited under the pseudonym "El of the 7" is here - no doubt he was under exclusive contract with another firm. In any case his performance on "Suavecito" is remarkable.

1 ° of El Guajiro Cunagua
*** 2 *** Bruca Manigua
3 *** El Panquelero
4 ° In Guantánamo
*** ***
Suavecito 5 ° 6 ° El huerfanito

Alfredo Valdés - piano
Charles Rodriguez - very
Alfredo De La Fe - violin
Legaret Pupi - violin
"El De La 7" - flute
Alberto Valdés - Congas
Felo Barrios - timbales, coro
Roberto Torres - güiro, coronary

is not known in this disc that plays the bass!
Papaito resumed here the songs that made the success of Abelardo Barroso with the Orquesta Sensación. He pushes the tribute to repeat the same décimas.

1986: Fania All-Stars "Viva la Charanga"

Difficult to circumvent the Fania label giant, even if it has not produced many albums charanga must still cite it. Through its arrangements, but rather an album of Salsa resuming successful Charanga.
Yes, the stars are all there;
Johnny Pacheco, appears first, seems to lead the orchestra, took the flute.
Ray Barretto - congas
Bobby Valentín - bass
Pappo Lucca - piano Jimmy Delgado
- timbal
The string section is headed by Eddie Drennon.
Hector "Bomberito" Zarzuela - Trumpet
Tony Barrero - trumpet
Reinaldo Jorge - trombone
The singers are:
Ismael Miranda, Pete "El Conde" Rodríguez, Cali Aleman, Hector Lavoe and Celia Cruz.
choirs are provided by Johnny Pacheco, Felo Barrios and Roberto Rodríguez.
guest on "La Isla del Encanto" and "Los tamalitos Olga"
José Fajardo - flûte
Lewis Kahn et Ricardo Witthington - violons alone in
Soit tout au moins 23 musiciens.

1, Guajira with Tumbao ***
2 ° West and Skinny Me
3 ° pa 'Moron
4 ° Caimitillo *** and ***
Marañón Isla del Encanto 5 ° 6 ° hesitates
your drink * **
7 ° Tamalitos Olga ***
8 ° Naranjo y Lucas ***

"Guajira with Tumbao" et "Naranjo y Lucas" sont issus du répertoire of Orquesta Aragon. "Me Voy pa 'Moron" a été par popularis Beny Moré. Caimitillo and Marañón est un succès the Orquesta Sublime. "Isla del Encanto" est le "Tube" of Charanga Broadway. "Trago Vacili con tu" is a successful Orquesta Sensación. Los tamalitos Olga is obviously directory José Fajardo.

1987: His Primero "Tradición Cubana en Nueva York"

A very strong album by a group which once again will be the only album, apparently. The Director is the timbalero Charlie Santiago. Energy is one of New York salsa, and the orchestra sounds awfully good.
The flutist Dave Valentin is that officers already in the Conjunto Libre, and delivers one of his best performances charangueras. Ropes Pupi Legarreta wiggle sont par. Les
Oscar Hernandez et sont pianists Jorge Dalto.

1 ° Ask the Touch ***
2 ° I Am From There Fake Your
3 ° 4 ° Jealousy
Heart *** You see
5 ° *** Trick Regatillo
6 ° The Breakthrough * ** Compositions sont Les

audacieuses, the reprise of "Trick Regatillo" est dans le plus pur style "New Danzon Rhythm." Dans
"I'm from there," fait rare: a solo cello par Enrique Orengo.
Les "breaks" from "You'll see the Heart" et de "The Breakthrough" sont particulièrement savoureux.

1994-95: Cachao "Master Sessions Vol.I and II-

Of the two albums released a year apart, the vol.1 which was awarded with a Grammy Award. It is not then Salsa album: the recently deceased master here excels in both areas it controls: Descarga and the Charanga.
If only compiles songs from both albums charanga, we obtain the following eight pieces;

(Compilation charanguera from the 2 albums)
1 ° Al Fin Te Ví ***
2 Isora Club *** *** Mambo
3 ° 4 °
Marianao Social Club *** Los
5 ° Tres Golpes
*** *** El Progreso 6 ° 7 °
Sigue has Paquito if Puedes
8 ° *** *** Viva Africa

Both albums start with each danza duo played with Paquito D'Rivera clarinet. The vol.1 (who won an award) starts with three pieces of charanga style.
production of the two discs is provided by Emilio Estefan Jr., for the "executive" and the actor Andy Garcia.

musicians involved in this compilation are:
Israel "Cachao" López - Executive, bass and coro
Felo Barrio - güiro and coronary
Paquito D'Rivera - clarinet and saxophone
Richie Flores - congas Rolando
Laserie - coro
Nestor Torres - flute
Alfredo Valdés Jr. - piano
Orestes Vilató - timbal
The string section consists of seven violins and a cello.

The evidence here is done with these two albums can be achieved commercial success with Danzón. Versions are beautiful pieces that we had not saved over a long time ...
Cachao and his brother were the champions of the production and writing at the time of danzones Nuevo Ritmo, so that 'and they played and wrote for Arcaño addition Maravillas.

1995: Charanga of 4 "¡Se Pego ...!"

La Charanga the 4 is related to Roberto Torres, Cuban singer born in Guines. He founded SAR label in 1979 and subsequently recorded 13 albums under this label, with at least one of the Charanga 4. HRH The label has opened énormémment Caribbean and African markets. It is then the third disc SAR our top-ten, and after Pupi Papaito.

1 ° 2 °
Tumbador *** *** Siguaraya
Guajiro de Verdad 3 ° 4 ° ***
Baila mi son
5 ° No me Mires Mas ***
6 ° 7 ° Clavelitos
El Baile Suavito ***
8 ° Oyem Viejito ***

It is really difficult to get information about La Charanga of 4. Not just any website does not mention, but it just seems that no book either ...
As was customary in Cuba, the record cover of the SAR does not mencionnent the names of musicians ... but arrangers! Some columnists complain discs. On Descarga.com reads:
"When the SAR label decides he finally mentioned the names of his musicians?". We know of only two musicians have been part of this orchestra: pianist Alfredo Valdes Jr. and bassist Marino Solano.
Yet this is not the U.S. charanga an orchestra of second order. She recorded, to our knowledge, at least eight albums, including three in honor of Beny Moré and the Trio Matamoros.

1998: Charanga Colonial

Another disc of the SAR label dédidément very charanguero, produced naturally by Roberto Torres. This
"Charanga Colonial" - not to be confused with the Conjunto Colonial - would be "a sort of extension of the Charanga 4".
The interest on this disc is also in the texts of songs, which pleased good stories on the tone of ironic cha-cha-cha of yesteryear. We eu quatre étoiles send to mettre à la chanson "Chontaduro."

1 ° Do not Worry ***
2 ° Juma de Ayer
Salvation Cali 3 ° 4 ° Chontaduro
*** *** ***
Furrier
5 ° 6 ° Me Voy pa 'Sierra Morena
7 ° ***
Shrimp Fishermen Charity Hits 8 ° 9 °
*** *** Mi Chiquita
10 ° Mireya

"No Worry" et "Chontaduro" sont deux perles. "The Shrimp Fishermen, nettement accelerates, est une excellente reprise du répertoire of Orquesta Aragon," Los Pescadores de Varadero.

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THE END

The s ancient authors had a preference for a discourse on tops that was the time and the chance of things in life, and on the virtù men who knew recognize, with the adjusted and the resulting acts of action, which are often surrendered. So it is, everything in life has its time, especially the times that mark the birth and the times that determine the order of things.
time this blog over. Just over two years was born with the commitment by its author to keep a rhythm and flow that was due to whom he was kind enough to be interested. Responsibility that I feel today is difficult to assume that I am not satisfied and is rescued by the insertion of regular trading cards and some other guess I'll know the dull and glory. Moreover, the circumstances of life force me will soon be exchanged this land for other more distant, where time, space, things and people I impose other rhythms and other dispersions of mind incompatible with the maintenance of blog.
The farewells should be short and sincere. Thus, a very cordial greeting to my readers and commentators usual, I do not consider cost as a kind of friends in a virtual dimension that was unknown to me. Above all, the pleasant brotherhood, where I accepted dragging the chairs and making room for one more at the table of literary meetings. With all I learned, I thought, delighted me, I will continue to attend each of the spaces that continue to offer. Possibly even life to provide an opportunity to find another person. Well there are. I return to my position of reader and v / admirer.
One last thing: this blog born under the sign of anonymity, made with much ingrained penchant for discretion. The secrecy has excited curiosity and pseudo-IDs, things Portuguese. Devo so apologies for the inconvenience caused to inquisition inquisitive and at least two people - including a friend - who, as so often unreasonably, were identified as authors of this blog . With my advantage, but certainly uncomfortable for them.

Until forever. Ave atque worth!

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LAST POST

" I n the British army bugle call A Particularly haunting was once used to sound the retreat at the end of the day fighting. The Same call was Subsequently Adopted for the nightly ritual of the lowering of the flag and the mounting of the guard. It acquired a suitably conclusive tide — 'Last Post'…
Sounded by a solitary bugler, all present standing hushed to atten­tion, the staccato phrasing seems to echo like a plaintive valedictory across the parade grounds of memory. Even as its final cadenza dies away on the breeze, it catches the unwary with a last, long drawn-out note. The flag is lowered and furled and, like a sentence unfinished, the note lingers on the stilled air. Long after the bugler has about-turned and marched away, this tune that has no words troubles the mind, evoking the ghosts of places past.
In the tropical East, where the sun sets at much the same time throughout the year, the evening's 'Last Post' often coincided with the Muslim call to prayer or the gongs and bells of a nearby temple. Together they came to comprise a reassuring recessional at day's end. The scent-laden air, once the sting of its heat had been drawn by the lengthening shadows, seemed at last to stir in moist sympathy with these serenades to silence and repose. Somewhere the flag had been furled and the watch had been set. Peace reigned; empires came off duty. Into crystal glasses tinkled ice cubes while rattan roofing reawoke to the first tut-tuts of the pale nocturnal lizard which Malays call the chik-chak . "You might think', wrote the novelist Somerset Maugham, 'that it was chuckling with amusement at the white men who come and go and leave all things as they were…”